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Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one important plot development, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in British and Irish theaters from November 17.

About the author

Gail Oconnor

Elena Voss is a digital strategist and tech journalist with over a decade of experience in connectivity and innovation.

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